Nadine Gordimer: Alive in the silence

2014-07-21 13:45

Multimedia   ·   User Galleries   ·   News in Pictures Send us your pictures  ·  Send us your stories

‘It was Nadine Gordimer’s ability to leave moments of silence in her fiction that spoke most eloquently, daringly and damningly’

It tells us something about Nadine Gordimer that Raks Morakabe Seakhoa, the untiring champion of South African letters, used to call her “comrade Nadine”.

In her country, where identity is everything, that Gordimer was comfortable with a word viewed with scepticism in high literary circles is significant.

Her death brings to an end a remarkable literary career. Coming so soon after the deaths of Maya Angelou, Amiri Baraka and Gabriel Garcia Márquez, there’s a sense this is the end of a literary era.

These writers did not shy away from addressing what they believed ailed their societies, even as they held on to notions of literature as romance.

Gordimer relished language. Her fiction and nonfiction alike reward the reader with passages of exquisitely written prose. She used language as a surgeon uses a scalpel, delicately opening her characters to reveal what contradictions they contained.

“To a writer no one is ordinary,” she once said – one of many gems delivered almost as asides by way of explanation.

Nadine wrote in one of her short but important essays, Five Years Into Freedom: “Again and again, when I’m interviewed or find myself in encounters with other people abroad, the burning question is ‘what is happening to whites?’ And again and again, my genuinely surprised response is: ‘What about blacks? Don’t you believe there are challenges to be met in their new lives?’”

South African writer, novelist and political activist Nadine Gordimer in 1961. Picture: Images24.com

Gordimer’s ability to weave lyrical, even magical, prose into her writing, as she tackled the most prosaic human shortcomings, says something about her commitment to social justice.

“There are some who still have this sense, suffer it, I would say, and unnecessarily, so it becomes a form of self flagellation. I don’t posit this in any assertion of smug superiority; I should just wish to prod them into freedom from self-confinement.”

The essay explores very directly, and with Nadine’s typical courage, the subject of what it means to be South African, to declare oneself as such. If the topic was a complex one five years after South Africans gained their freedom, it has only increased in complexity since.

When Gordimer writes “A city in transition is always full of contradictions” she may well have been referring to the entire country and all who live in it.

Gordimer did not yield to the nomadic impulses that claim so many of our writers. She lived here, in South Africa, as a South African, defiant against apartheid and also against the titters of the so-called genteel set, the liberals who found fault with her uncompromising stance.

She was a home-grown revolutionary. But it is worth remembering that Gordimer also cherished the bonds that link writers across borders.

Reflecting on fellow Nobel laureate Wole Soyinka, she said: “He has done something Camus despaired of seeing any activist achieve: lived the drama of his time and been equal to the writing of it.”

But Gordimer’s assessment of Soyinka provides a clue to her own status as a writer. Her fiction never shied away from drawing from the freshest pages of history. Luckily for us, she was equal to the task of writing it.

If Thabo Mbeki and Jacob Zuma received literary attention from the likes of the Reverend Frank Chikane and his book Eight Days in September, Gordimer’s last novel, No Time Like the Present, placed a kind of literary focus on the two leaders that seemed almost impertinent in its immediateness.

But even as she wrote alongside history that was only a few years old, it was her ability to leave moments of silence in her fiction that spoke most eloquently, daringly and damningly.

It is her unflinching focus on how individuals wrestle with personal responsibility – even as they face political, social and family pressure – that has been the source of her literary strength across the vivid decades of South Africa’s recent past.

If the notorious Immorality Act once forbade mention, let alone practice of sexual relations across race frontiers, the present has rendered invisible some of the contradictions of a society that was once constructed around race. Thus, in No Time Like the Present, Jabulile and Steve have come back to establish their careers, like other returnees from exile.

It is fascinating to observe the delicate balance they have to strike as they attempt to communicate across the vast cultural gulfs that separate their two families.

But the complications are never simply binary. Beyond any racial and cultural minefields that they have to negotiate, Steve has also to contend with the demands and expectations of his father and the deference to his Jewish mother’s claims on him.

One of my favourite sentences from No Time Like the Present is: “There was no space for meaning in personal achievement. Climb Mt Everest or get rich, all cop-outs from reality, indecent signs of being on the side of no change.” Indeed.

To cut to the quick, observations like that serve as a reminder, if one were still needed, that Gordimer belongs in that very special club, the great world writer.

Her voice will be missed. But lucky for us, in her writing it will never be lost.

Join the conversation!

24.com encourages commentary submitted via MyNews24. Contributions of 200 words or more will be considered for publication.

We reserve editorial discretion to decide what will be published.
Read our comments policy for guidelines on contributions.

24.com publishes all comments posted on articles provided that they adhere to our Comments Policy. Should you wish to report a comment for editorial review, please do so by clicking the 'Report Comment' button to the right of each comment.

Comment on this story
0 comments
Comments have been closed for this article.

Inside News24

 
/News

Book flights

Compare, Book, Fly

Traffic Alerts
There are new stories on the homepage. Click here to see them.
 
English
Afrikaans
isiZulu

Hello 

Create Profile

Creating your profile will enable you to submit photos and stories to get published on News24.


Please provide a username for your profile page:

This username must be unique, cannot be edited and will be used in the URL to your profile page across the entire 24.com network.

Settings

Location Settings

News24 allows you to edit the display of certain components based on a location. If you wish to personalise the page based on your preferences, please select a location for each component and click "Submit" in order for the changes to take affect.




Facebook Sign-In

Hi News addict,

Join the News24 Community to be involved in breaking the news.

Log in with Facebook to comment and personalise news, weather and listings.