Beaming Bullock shines at Oscars
2010-03-08 11:27
Los Angeles - Sandra Bullock paid her dues in Hollywood for more than 20 years. She was rewarded on Sunday, winning the best-actress Oscar for playing a tough white Southern woman who adopted a black child in The Blind Side.
Bullock had repeatedly said she didn't think she was going to win, although the 45-year-old actress was a heavy favourite.
"Did I really earn this or did I just wear you all down?" she said after accepting the golden statue from Sean Penn.
In the closest race of the acting categories, Bullock was up against Meryl Steep in Julie & Julia, former winner Helen Mirren in The Last Station and breakout stars Gabourey Sidibe of Precious and Carey Mulligan of An Education for their first-time leading roles.
Bullock had already won the Screen Actors Guild and Golden Globe awards, and tied Streep at the Broadcast Film Critics awards. Streep also won at the Globes.
At 60, Streep is the most nominated actor, male or female, of all time with 16 nods, but she's gone home empty-handed since her last best-actress win for Sophie's Choice in 1983. Her other victory was as supporting actress for Kramer vs. Kramer in 1980.
Bullock's Oscar triumph came a night after she won worst actress at the Razzies on Saturday for All About Steve, a romantic comedy flop that quickly vanished at theatres in between her 2009 hits, The Proposal and The Blind Side.
Bullock's breakout role came in the 1994 film Speed. She went on to score box office successes in While You Were Sleeping and Miss Congeniality. But she also appeared in a string of duds before a supporting role in the 2004 movie Crash earned Bullock some of the best reviews of her career.
Bullock became the first person to win an Oscar and a Razzie on the same weekend. She was the rare A-list star who attended the show that pokes fun at the Oscars by giving out prizes for Hollywood box office failures.
Stepping up their style
In The Blind Side, Bullock donned a frosted blond wig and a Tennessee twang to play Leigh Anne Tuohy, the real-life adoptive mother of Baltimore Ravens football player Michael Oher.
Bullock dressed the part at Sunday's Academy Awards: She wore a gleaming, metallic, slim-fitting gown that seemed fashioned after the Oscar statuette itself.
The dress, at least, was a winner, making Bullock one of many who stepped up their style on what is considered Hollywood's most important runway. Top actresses made bold colour choices, donned stiffer shapes and used sparkle strategically to get them noticed.
"This red carpet was whimsical, thank God. It was the most interesting red carpet in a long time," said Suze Yalof Schwartz, Glamour magazine's executive fashion editor at large. "You want to see a dress that makes you say 'Wow!' and I saw at least six of those."
There had been a trend in recent years to make safe choices at the Oscars, with celebrities knowing that the photos taken there would follow them for the rest of their lives. But there was a refreshing sense of fun - and some directional fashion - this year.
"We're moving into architectural shapes and away from all the drapery. There were not a lot of 'goddesses' this year," observed Sharon Graubard, senior vice president of trend analysis at forecasting firm Stylesight. "This was about glamour, very tasteful, grown-up glamour."
Gold was a huge trend, with Kate Winslet looking like an old-school movie star in her sleek, strapless gold gown by Yves Saint Laurent and Deco-inspired $2.5m yellow-diamond necklace from Tiffany & Co. Cameron Diaz, with bold red lips, was another screen siren in a gold strapless gown with metallic ribbons and pailettes by Oscar de la Renta; Miley Cyrus wore a bustier-style strapless gold number by Jenny Packham; and Sarah Jessica Parker chose a custom yellow Chanel with silver flowers around the bustline.
"I loved Sarah Jessica Parker in Chanel. It was interesting, romantic and she's a fashion risk-taker," said Mary Alice Stephenson, stylist and fashion commentator.
She said the same for Diane Kruger in her white Chanel dress with black bands around the neck, waist and near the knees.
Flowers were another dominant theme at the Kodak Theatre in Los Angeles. Bullock's Marchesa gown had a delicate floral embroidery and Mo'Nique complemented her electric blue Tadashi Shoji asymmetrical dress with gardenias in her hair. She said she did it in the spirit of the late Hattie McDaniel, who had done the same in 1940.
Gabourey Sidibe's blue dress was decorated with silver beads in a floral pattern, and fashion designer-turned-director Tom Ford stuck a gardenia in his lapel.
Making a statement
A few looks seemed sure to generate chatter because they weren't standard-issue, red-carpet styles. Jennifer Lopez's sculpted, strapless pale-pink Armani Prive had a dramatic slit on one side and an exaggerated modern train that jutted out from her hip. Armani said the dress was inspired by the romance and mystery of the moon.
Charlize Theron also had a futuristic vibe in her amethyst gown by John Galliano for Dior with two folded rosettes not on the bustline but on the bust itself.
"Charlize's dress was really dramatic," said Stephenson. "Love it or hate it, you want to talk about it."
Carey Mulligan's full-skirted black Prada was adorned in unusual embroidery: tiny forks, knives and scissors. She said she didn't choose it to make a statement.
"I just thought it was really cool," she told the AP. "It's not a dress where I have to wear Spanx or anything, so I'm good."
Her earrings were 19th Century cascading diamond pendants by Fred Leighton.
Another fashion-forward look was Zoe Saldana's Givenchy gown with a sparkly light pink bodice and a lilac skirt that descended into tight ruffles in all shades of purple. Queen Latifah's one-shoulder Badgley Mischka was a lovely shade of pink and the mermaid shape "is the right way to dress a curvy woman," said Yalof Schwartz.
Vera Farmiga said her magenta fan-pleat strapless gown by Marchesa "reminds me of a flower in bloom." Her Up in the Air costar Anna Kendrick's blush-coloured Elie Saab wasn't her first choice, but it was the right one, she said. "It's so young and pretty and it fits me so well."
Meryl Streep did an unexpected turn in bright white gown with a deep V neckline. Yalof Schwartz loved it. "With Meryl Streep, you used to not look at what she wore, but she's embracing fashion now."
Tina Fey, who scored a few fashion "don'ts" earlier this year, was much improved in her black, one-shouldered, leopard-lace Michael Kors.
The print route
Maggie Gyllenhaal wore something rarely seen on the awards circuit - a print. The blue-black-and-white gown by Dries van Noten had a tropical vibe.
"I love his clothes. They're sexy and unusual. He designed my wedding dress," she said. Her husband, Peter Sarsgaard, wore the tuxedo he bought for their wedding - designed by Tom Ford.
Rachel McAdams went the print route, too. Hers was a draped strapless in dusty shades of blue and gray. Nicole Richie's multicolored sequin gown by Reem Acra kept to the vintage vibe she favors, but was quite covered up compared to the rest of young Hollywood.
Not surprisingly, Kristen Stewart wore a midnight blue gown by Monique Lhuillier with a sculpted bodice and draped trumpet skirt. Mariah Carey seemed a little tame in her navy dress, but she promised that the slit on her Valentino would blow wide open if the wind kicked up.
But in fashion, it was Bullock going for the gold, said designer Patricia Field, who called it "simple, classy - it looked good on her".
AP Writer Beth Harris contributed to this story.
- AP