Clooney and Pitt in farce
2008-08-27 16:14
Venice - Brad Pitt and George Clooney star in a madcap comedy by the Coen brothers in which two Washington gym employees get caught up in the cloak-and-dagger world of international espionage, with results both daft and deadly.
Burn After Reading - spy movie meets slapstick farce - ensures an upbeat opening to this year's Venice film festival where the movie has its red carpet premiere on Wednesday.
It brings A-list star power and crowds of screaming fans to the 11-day event in the canal city, where Asian and European art house cinema is up against Hollywood heavyweights in the race for prizes at the closing ceremony on September 6.
The film re-unites Joel and Ethan Coen with actress Frances McDormand, who is married to Joel and who won an Oscar for her role in their 1996 film Fargo, as well as with Clooney, who appeared in O Brother, Where Art Thou?
Clooney, by his own admission, regularly plays the fool for the brothers, fresh from their triumph at this year's Oscars when their No Country For Old Men picked up four awards, including best picture and best directing.
Trilogy of idiots
"I've done three films with them and they call it my trilogy of idiots," the actor told reporters after a press screening.
The 47-year-old plays a nervous, twitchy federal marshal whose extra-marital affairs bring him into contact with a gym instructor, played by Pitt, desperately seeking to extort money from a sacked CIA analyst whose memoirs go missing.
"After reading the part, which they said was hand-written for myself, I was not sure if I should be flattered or insulted," said Pitt, whose character the directors describe as a "knucklehead".
Joel Coen said he and his brother had "a long history of writing parts for idiotic characters".
"By the way, I'm starting to detect something in the crowd here, a feeling that you all feel there's something wrong with being an idiot. I just want to caution you about that, because that's a sensitive subject and a big demographic."
Although there are five US films in the main competition line-up of 21, they represent "independent" cinema as opposed to the big studios, which are not in Venice this time around.
Festival director Marco Mueller brushed aside concerns that Venice, which faces competition from the Toronto film festival starting next month, was struggling to secure top titles.
He said the lighter Hollywood studio presence was partly down to the writers' strike that ended in February.
"American cinema is very much at the centre of the programme," he added.