Oscars 2021: 5 experts on the wins, the words, the wearable art and a big year for women

0:00
play article
Subscribers can listen to this article
Angela Bassett, earing and fashion detail, attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Chris Pizzello-Pool/Getty Images)
Angela Bassett, earing and fashion detail, attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Chris Pizzello-Pool/Getty Images)
  • This year, with shrinking audiences and pandemic restrictions, there was a bitter irony in the fact women won more Oscars, across new and highly visible categories, than ever before. 
  • The intimate Oscars ceremony (with only 170 VIP guests at LA’s Union Station) meant a reduced red carpet, where attendees made up for the lack of numbers by bringing colour, glamour and scale in what they wore.
  • Here, 5 experts comment on the most remarkable moments from the 2021 Oscars ceremony. 

Chloé Zhao has made history at the 93rd Academy Awards as the first Asian-American woman and first woman of colour to win Best Director. She won for Nomadland, which Zhao also edited, produced, and adapted as a screenplay (from the book by Jessica Bruder).

Only one other woman has ever won Best Director: Kathryn Bigelow for The Hurt Locker in 2008. Zhao and fellow nominee Emerald Fennell (Promising Young Woman) were just the sixth and seventh women to receive nominations.  

READ MORE: The Dior dress Natalie Portman wore to the Oscars made more than just a fashion statement - it was a nod to snubbed women directors

This was one of a trifecta of above-the-line prizes that went to women. Fennell won Best Original Screenplay for Promising Young Woman and Zhao for Best Picture. 

LOS ANGELES, CALIFORNIA â?? APRIL 25: Emerald Fenn
Emerald Fennell attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Chris Pizzello-Pool/Getty Images) 
LOS ANGELES, CALIFORNIA â?? APRIL 25: Emerald Fenn
Chloé Zhao attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Matt Petit/A.M.P.A.S. via Getty Images) 

These three awards put women in the spotlight as never before. But filmmaking is a collective art. Women were also celebrated in technical areas where sexism and gender disparity are even more entrenched. 

Michelle Couttolenc won an award for Best Sound (Sound of Metal) and Jan Pascale for Best Set Decoration (Mank). Mia Neal and Jamika Wilson made history as the first African-American winners in the category of makeup and hairstyling (with Sergio Lopez-Rivera) for their contributions to Ma Rainey’s Black Bottom

Women also accepted awards as film producers: Dana Murray won Best Animated Feature with Pete Docter (Soul), Alice Doyard won Best Documentary Short with Anthony Giacchino (Collette) and Pippa Ehrlich won Best Documentary Feature with James Reed (My Octopus Teacher). 

This year, with shrinking audiences and pandemic restrictions, there was a bitter irony in the fact women won more Oscars, across new and highly visible categories, than ever before.

- Julia Erhart

READ MORE: We talk to Jennifer Kaytin Robinson, writer and director of Netflix's new women-led film that might change the way you feel about breakups 

Best Picture

It’s no surprise Nomadland won Best Picture — it’s good, compelling stuff, and manages (like most Oscar contenders) to be formulaic to its core without appearing as such. In classic Hollywood fashion, beautiful images accompanied by derivative but affecting music reinscribe social and political history in the mode of melodramatic and intimate personal reflection.

Following “salt of the earth” Fern (Frances McDormand) on her journey through the American West, we experience her ups and downs, recognising the emotional impact the devastation of precarious employment has had on her. The brutal 21st century reality of disempowered (non-unionised) workers becomes fodder for a narrative focusing on an individual’s personal growth — including happily working for Amazon no less (it’s “good pay,” Fern says). 

Still, it definitely works as a film, painting a starkly drawn but nuanced portrait of life in post-industrial America. It’s poetically charged in its understatement, and features excellent performances by McDormand and David Strathairn as her love interest. 

It’s also better than most of its contenders, including the sophomoric Promising Young Woman and the irrepressibly dull Mank. The only exception is Judas and the Black Messiah: the best film nominated for an Oscar this year (if not the best film of the year).

-Ari Mattes 

Acceptance speeches

To keep making and distributing movies over the past year has been an achievement in itself. Many speakers acknowledged colleagues who persisted in believing in film projects against a backdrop of ongoing adversity. 

The movies nominated were a politically charged bunch. While presenters acknowledged the issues, winners largely allowed the movies to speak for their own politics. 

There was mention of gun violence and slayings by police. H.E.R. (Best Original Song) proclaimed her role to “fight for my people”. Daniel Kaluuya (Best Supporting Actor) highlighted the spirituality and politics of the Black Panthers and said the work still to do was “on everyone in this room”. Mikkel Nielsen (Best Editing) did his bit for arts funding, praising the Danish Film School as his award vindicated support for it. 

Best director Zhao praised those looking for the good in others, while Best Documentary winner Ehrlich credited courageous women “joining hands and fighting for justice”.

Generally, though, the acceptance speeches did not indulge in politicking. There was no direct mention of America’s 2020 election results, no Biden and nothing like the Trump mentions last year — just the art at hand. 

- Tom Clark 

READ MORE: EXCLUSIVE | Gina Prince-Bythewood on the need for women, black people to be represented in film 

Fashion 

The intimate Oscars ceremony (with only 170 VIP guests at LA’s Union Station) meant a reduced red carpet. However, attendees made up for the lack of numbers by bringing colour, glamour and scale in what they wore.

The dress code asked for “a fusion of Inspirational and Aspirational”. After spending 2020 in our most comfortable garments, this return to in-person awards called for spectacle. 

LOS ANGELES, CALIFORNIA - APRIL 25: Andra Day is
Regina King attends the 93rd Annual Academy Awards in Louis Vuitton. (Photo by Chris Pizzello-Pool/Getty Images) 

The majority of guests followed the directive. Sure, winning director Zhao opted for sneakers, but she wore them with her pale Hermès sweater dress and French braids and looked effortlessly cool. Musical director Questlove dressed up his rubber Crocs by making them gold.  

Early arrivals at the event included some of the best dressed men of the night, including Coleman Domingo in shocking, delicious pink Atelier Versace; LaKeith Stanfield in custom Saint Laurent 70s jumpsuit by Anthony Vaccarello; and the adorable young Alan S. Kim in Thom Browne short suit, bow tie and four-bar socks. 

READ MORE: Zendaya's jewellery worth R85 million was the star of the show for her Oscars look  

Perhaps the strongest trend was volume: in skirts, sleeves and bows. Maria Bakalova’s white tulle Louis Vuitton seemed directly related to Bjork’s iconic swan dress of 20 years ago, as did Laura Dern’s marabou feather Oscar de la Renta.  

LOS ANGELES, CALIFORNIA â?? APRIL 25: Maria Bakalo
Maria Bakalova attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Chris Pizzello-Pool/Getty Images) 
LOS ANGELES, CALIFORNIA â?? APRIL 25: (EDITORIAL U
Laura Dern attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Matt Petit/A.M.P.A.S. via Getty Images) 

Regina King was resplendent in a custom Louis Vuitton powder-blue butterfly dress, with huge, bejewelled winged shoulders (see image above).

Sleeves were also exaggerated in Angela Bassett’s red Alberta Ferretti and Marlee Matlin’s sparkling yet sustainably made Vivienne Westwood.

LOS ANGELES, CALIFORNIA â?? APRIL 25: Viola Davis
Angela Bassett attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Chris Pizzello-Pool/Getty Images) 

Carey Mulligan’s gold Valentino two-piece, Nicolette Robinson’s black taffeta Zuhair Murad and Amanda Seyfried’s red tulle Armani Privé all came with skirts made for social distancing.  

LOS ANGELES, CALIFORNIA â?? APRIL 25: Carey Mullig
Carey Mulligan attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Chris Pizzello-Pool/Getty Images) 

The most aspirational?

Surely Zendaya in a canary yellow, Cher-inspired strapless Valentino with over US$6 million (about R85 million) of yellow Bulgari diamonds.

LOS ANGELES, CALIFORNIA â?? APRIL 25: Zendaya atte
Zendaya attends the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Chris Pizzello-Pool/Getty Images) 

And the most inspirational? 

`LOS ANGELES, CALIFORNIA â?? APRIL 25: (EDITORIAL
Yuh-Jung Youn, winner of Best Actress in a Supporting Role for "Minari," poses in the press room during the 93rd Annual Academy Awards at Union Station on April 25, 2021 in Los Angeles, California. (Photo by Matt Petit/A.M.P.A.S. via Getty Images) 

73-year old Youn Yuh-jung making history as the first Korean woman to win an Academy Award for acting, wearing a navy gown by Egyptian designer Marmar Halim with Chopard jewels. Perfect. 

- Harriette Richards 

Best Acting

Anthony Hopkins won for The Father, and Frances McDormand for Nomadland. Fair enough. Both are stellar actors who bring a quiet intensity to their performances in these films. 

Both have carved out a niche for themselves within the Hollywood machine playing these kinds of characters, with Hopkins becoming synonymous in the 21st century with the broken patriarch and McDormand with the quirky baby boomer. 

Each could have played their role in their sleep, one suspects, with neither seeming particularly challenged from a craft perspective. But if there’s one thing you can depend upon when it comes to the Oscars, it is middlebrow polite predictability, and these are both obvious choices.

In contrast, Riz Ahmed offers a less polished but stranger and more interesting performance in Sound of Metal, as does Andra Day, who overacts in the lead role but nonetheless masters our attention in The United States vs. Billie Holiday.

- Ari Mattes  

READ MORE: 8 women filmmakers who've given us stories and roles that have never been seen before 

Best Original Score

Trent Reznor, Atticus Ross, and Jon Batiste’s win for their music for Soul in the Best Original Score category is unusual in at least three ways. First, Soul is an animated film, (the first to win as a soundtrack since Michael Giacchino’s Up in 2009). 

Then there’s the fact that Soul is dominated not just by jazz music, but by jazz music played on screen — a genre rarely rewarded by the academy today. You’d have to go back to Round Midnight and Herbie Hancock in 1986 for something genuinely comparable.

Strangest of all, there’s a touch of category weirdness here. The academy rules state multiple composers on a single film are eligible only when they work closely together. That makes sense for Reznor and Ross, whose soundtrack careers can’t be meaningfully separated. But Batiste made markedly different music for Soul.  

His is the film’s lively and virtuosic jazz often played on-screen by the film’s characters, while Reznor and Ross made ethereal, synth-heavy underscore for scenes set in the afterlife. In the end credits, Batiste — whose music does most of the heavy lifting in the film — isn’t even listed as composer. Instead, Pixar chose to list him with a “jazz compositions and arrangements by” credit.

Common sense prevailed this year, however, and perhaps it is time to rethink the Best Score eligibility rules. Of the other nominees, Terence Blanchard would have to feel hard done by after his wonderful music for a Spike Lee film (Da 5 Bloods) was overlooked again, while Emile Mosseri would be happy as a first time nominee despite his score for Minari arguably being the strongest of the bunch.

-Dan Golding

This article is republished from The Conversation under a Creative Commons license. Read the original article.   

The Conversation

Follow us on social media: FacebookTwitterInstagram

Sign up to W24's newsletters so you don't miss out on any of our stories and giveaways.

We live in a world where facts and fiction get blurred
In times of uncertainty you need journalism you can trust. For only R75 per month, you have access to a world of in-depth analyses, investigative journalism, top opinions and a range of features. Journalism strengthens democracy. Invest in the future today.
Subscribe to News24
Voting Booth
From the Grammys to the NAACP Image Awards to the Oscars; who was your overall best-dressed celebrity of the 2021 awards season?
Please select an option Oops! Something went wrong, please try again later.
Results
Regina King
15% - 12 votes
Zendaya
45% - 36 votes
Anya Taylor-Joy
8% - 6 votes
Emma Corrin
1% - 1 votes
Angela Bassett
14% - 11 votes
Viola Davis
15% - 12 votes
Jurnee Smollett
1% - 1 votes
Cynthia Erivo
1% - 1 votes
Vote